At 3/8/25 03:47 PM, Thetageist wrote:It seems to be more about who you know/which other artists you’re friends with. I know a lot of artists who are way more inclined to commission the same 5 artist friends over and over rather than take a chance on somebody new.
So yeah, become friends with folks who want art and have disposable income, and you’re set, because it seems like nobody wants to commission strangers.
Gah, that complicates my own ambitions for commissions. I basically live in some sort of retirement community full of old Republicans, and of course like most 30-somethings, all of my friends closer to my age group have since moved away and, of course, don't even seem to use social media like I do (probably for their own benefits, honestly). I cannot accept commissions from people at my workplace (definitely not from clients) because it would be considered a "conflict of interest" by the law. As a result, I do actually "touch grass" regularly, usually in the form of running on the local trails here and shopping at the local businesses, but that doesn't necessarily mean I'll meet someone interested in even talking to an unusually young-person in the neighborhood, let alone commissioning them for art. I could perhaps join art-related clubs nearby to increase my chances, but between that, my day job and my errands, that could take crucial time away from actually working on my personal projects.
However, if Gints Zilbalodis (the director of Oscar Award-winning Flow) could manage to make the crucial connections necessary to make something as ambitious and beautiful as Flow while living in the tiny country of Latvia, then I don't have any excuses, I'll figure it out somehow.